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Driver STEINBERG HALION-STRING-EDITION-2, pilote STEINBERG HALION-STRING-EDITION-2, logiciel ou mise
Updates a currently installed HALion String Edition 1.x version one.13.
This installer bring installing the product or service on Mac OS X systems should your original CD only has the Mac OS 9 version.
You need your original installation CD taking place, it's going to be requested from the installer.
Requires a previously installed HALion String Edition 1.x Version on your desktop!
Mac OS X 10.3.x Panther compatible.
Contains performance optimizations.
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Steinberg and Wizoos latest collaboration aims to offer high-quality string sounds cheaply, using a software interface to create string arranging really easy that even drummers can manage it. Have they succeeded?
Ever since release of orchestral sample libraries for Gigastudio including Garritan Orchestral Strings GOS and Dan Deans solo instrument libraries, and others in 2001, the requirement for high-quality orchestral sample libraries, and string ensembles specifically, is growing stronger than in the past. Additionally, the expectation within the scope superiority such orchestral libraries also has grown, as developers for instance Gary Garritan, Dan Dean, Sonic Implants, and today the Vienna Symphonic Library VSL and East West with Quantum Leap EWQL, carry on and push the boundaries into their products.
However, while these aforementioned libraries try and be as easy to work with as possible, they're still unashamedly directed at professionals with experience of orchestration as well as a reasonable budget. For musicians who simply wish the same simplicity of use their sound modules string patch affords them, however with the quality of sound offered because of the high-end libraries, it might be said that theres a gap from the market; and this also is precisely the gap Wizoo and Steinberg desire to fill using their latest collaboration: Halion String Edition Volume One.
Halion String Edition HSE Volume One is essentially a 5GB ensemble string library supplied on eight CD-ROMs, with the extra CD-ROM containing the installer application plus a tailor-made version of Halion thats needed to load and take part in the Instruments. This special version of Halion is referred to as the Halion String Player HSP and runs as both a VST Instrument on Windows, OS 9 and OS X, and as a DirectX Instrument in Sonar, a well known fact that should earn Steinberg several brownie points amongst users.
Highly playable and easy to work with.
The focus to detail from the programming is an awesome experience.
As with any sample library, a number of the artistic decisions arent about to suit every musician.
Instrument selection with Halion String Player may be more seamless.
Halion String Edition offers high-quality, easy-to-play samples for common string articulations within a VST or DirectX Instrument, offering many clever features cheaper than half the cost of the larger libraries.
Installation is usually a relatively painless affair, with the exception of the fact usually it takes around 45 minutes; however, you cant, while they nearly say, have your high-quality, multi-disk sample library and eat it. As a side note, however, with additional users owning computers equipped to handle DVD-ROM media, we are able to hopefully expect day once this kind of technique is available on 1 DVD.
Steinberg suggest a 400MHz Pentium II or compatible AMD processor for Windows users plus a 500MHz G3 that has a 100MHz system buss for Mac users since the minimum processor requirements for running HSE. However, I think an easy Pentium III, Athlon or G4 is highly recommended the practical minimum. Obviously youll in addition need 5GB of free hard drive space, ideally on a simple 7200rpm drive thats specialized in streaming samples, and Steinberg state 256MB because minimum number of memory required, while they recommend 768MB or even more for the best performance.
In relation to its section sizes, HSE utilises a decent 16 violins, 12 violas, 10 cellos and eight double basses, and although separate second and third violin programs are included for many articulations, both include 16 players, that's perhaps unfortunate as providing a compact second-violin section might have provided more variety. By means of comparison, GOS has 22 violins made available as 12 and 10 second and third sections and 10/8/7 violas/cellos/basses, Sonic Implants use 14/6/5/4, VSL has 14/10/8/6, and EWQLs Symphonic Orchestra Strings uses 18 and 10 violins with 10/10/9.
The strings were recorded across 16 tracks in Nuendo for a 24-bit resolution and also a 48kHz sampling rate, using Br el Kj r, Schoeps, Neumann, Sanken and Sennheiser microphones, a StageTec TruMatch 28-bit mic preamp and A-D converter. The fact HSE also plays back at 24-bit causes it to be the first high-end string library to accomplish this until EXS24 MkII versions of other libraries along with the EWQL Symphony Orchestra appear Gigastudio 2.5 is fixed to 16-bit playback.
The so-called Vienna orchestral placement was implemented violins left, violas to the correct, cellos mid-right, and also the basses since the full width about the back row to record the string orchestra, and thus you do not have to pan the instruments yourself
they will automatically sound correct and natural.
The manual furnished with HSE is commendable, being easily readable and offering real understanding of the aims and make use of of the library. Musical suggestions are made for most features, as well as a short string-arranging tutorial should give ideas for beginners on the way to best makes use of the library. Yes, the manual could probably do that has a little editing, buyers ., the string-arranging tutorial isnt likely to replace a fantastic orchestration guide, but within the whole, it fulfils its task without intimidating the consumer.
The first-time you use HSP, material prompted to get the folder containing the sounds, and once you load HSP subsequently, it's going to automatically load the file inside root with the Halion String Edition folder. This contains just one low-memory full strings legato Instrument automagically, and you'll be able to overwrite this Bank with your own individual configurations, so you no longer need to load your most frequent or favourite programs manually each and every time you want make use of HSP.
For Mac users wanting to make use of HSE with Logic on OS 9, theres an issue with the primary release that prevents the Instrument files being correctly recognised. Fortunately, this matter can be rectified by downloading replacement Instrument files from: /show/updatesvstipromacen.
The Halion String Player provides simple entry to all aspects of Halion String Edition, and supplies additional features for controlling dynamics and bowing.
To load Instruments into HSP, much like Halion, you have to generate sure the right Channel is selected, and utilize the generic File commands provided about the plug-ins toolbar from the host application. While I can easily see the sense within this approach which comes in particularly useful when you need to save Banks coming from all 16 Instruments, I would have preferred so as to select Instruments through an intelligently organised pop-up menu in the plug-in itself, as on Spectrasonics Stylus, Atmosphere and Trilogy. An internal pop-up menu does allow the collection of loaded Instuments, but this isnt quite a similar. However, minor quips aside, after taking a couple of moments to familiarise yourself with all the layout of Instrument files within the Halion String Edition folder, seeking the Instruments you will need shouldnt be much of the problem.
Many in the Instruments are offered in XXL and ECO versions, the naming terminology that should be familiar to all those who have used a previous Wizoo/Steinberg product: XXL Instruments are definitely the full, memory-hungry versions, as the ECO Instruments offer reduced-memory versions which use fewer samples. Again, the icing within the cake here can be if HSP, like Virtual Guitarist, contained an international or channel-specific ECO/XXL switch where theres a choice, as an alternative to leaving it to you personally to manually load the desired program.
The basic layout from the library includes separate violin with many further first- and second-section divisions, viola, cello and double bass ensembles, along with a few full string patches known as 4-in-1 Instruments which include samples all the ensembles spread along the entire keyboard. As with other libraries, they're great for playing ideas and writing with, before polishing off your arrangements with sounds through the individual Instruments down the line, or keyboard players who dont want the hassle of multi-channel setups and wish an easy alternative to their workstation sounds. As an added bonus, HSE also provides a number of pads with slow, pad-like attack and releases reminiscent on the Enya-esque string pads youd find on sound modules, but which has a substantially better depth of sound.
So think about the Instruments themselves? The legato Instruments can be found in A and B versions across all ensembles except the 4-in-1 and pad Instruments, using the attack within the A Instruments being more firm plus the overall sound being fairly bold, as you move the B instruments use a marginally softer attack and feel considerably better for expressive lines. Wizoo recommend doubling the A and B Instruments when you wish a really big sound, or with these for adding variation to divisi writing if you want counterpoint within one ensemble, as an example.
My only slight issue together with the legato samples, that's purely reliant on taste, is the overall sound is exceedingly balanced and uniform across all velocity layers. This is great for expressive and realistic crescendos, nevertheless it would happen to be a nice bonus to get some legato samples which were soft and grainy, using the bow just barely touching the strings, or some harsh fortissimo varitations by having an aggressive attack, just as most of the more expensive string libraries.
Another indicate consider is the number of vibrato from the legato Instruments is placed in stone, with the information the manual describes as being a medium amount that gradually gets stronger towards stronger velocity layers. In fairness, this is really a reasonable artistic decision for making, but I think its inevitable that quite a few users will find themselves wishing for further or less vibrato in numerous situations. In my case, Ill confess that being a fan of indulgent Romantic orchestration, I would have liked more, but a majority of people would disagree by himself and find whats provided totally befitting for their musical needs.
In addition on the straight legato Instruments, you'll find additional legato Instruments featuring slides for building portamento for your melodic phrases. The utilization of portamento is cleverly controlled via some switch keys located for the very bottom connected with an 88-note keyboard, so that aside from transposing with smaller keyboards, youll have the need for an 88-note keyboard to produce the most of the Instruments. Holding down one on the three key-switches while playing an email within that Instruments range will trigger a slide up, a slide down, or even an octave-slide up.
The tremolo Instruments provided will add suitable colour on your arrangements, whether for mysterious suspense within the lower registers, or Nino Rota-style melody lines. And any additional tremolo with accents Instruments have become welcome; they trigger a tremolo sample that starts having an accent once you play a note having a MIDI velocity for a minimum of 100.
Rounding over long bows are half- and whole-note trills, which can be purchased in separate Instruments, or combined in a very single Instrument and switchable via key-switches. And much like the tremolos, they are beautifully controlled having a clear and defined sound.
The long bow Instruments can be found in four categories Xfade, Xswitch, Velocity and Velocity with Pitch-bend, that provide a choice of expression controls. The Velocity Instruments provide you with the traditional strategy for controlling dynamics the lowest velocity would trigger the piano samples, by way of example. But, more interestingly, even though the Xfade Instruments arent velocity sensitive, they actually do allow you to smoothly crossfade between velocity layers utilizing the continuous Crescendo Controller assigned with HSP, and that is mapped towards the mod wheel automatically.
The Xfade instruments certainly are a tremendous benefit specially when it comes to making tremolos breathe a bit, but because you might have read before, they're also the sampling equivalent of any black hole when it comes for a computers resources. Every note you play having an Xfade Instrument requires around four voices of polyphony, so that using Xfade Instruments on all Channels simultaneously is going to make use of up your systems resources pretty quickly.
To atone for this and still provide more economical alternatives when writing, the Xswitch Instruments also make use with the Crescendo Controller, even so the switch between velocity layers is usually obvious, although a mixture of Xfade and Xswitch instruments can mask this. The benefit from Xswitch Instruments is because they only require one voice for any note played, and the simple fact theyre capable to preserve the Crescendo Controller data brings about useful as economical substitutes.
I found the Crescendo Control itself very sensitive, but that has a bit of practice, you are able to achieve some incredibly expressive and realistic results together with the Xfade instruments. However, I noticed the Violin I A Legato Instrument had an audible changeover point, which I suspect is because of a faulty Instrument, since the Violin I A Legato with Portamento Instrument crossfaded perfectly.
The last control category is identified as Velocity with Pitch-bend VelPB, which can be a neat strategy for combining the Xswitch and standard Velocity Instruments by using advantage of the very fact the pitch-bend wheel features a default central position. With a VelPB Instrument, velocity determines the primary volume and layer, and you'll be able to use the pitch wheel to boost or limit the volume and layer whilst the note sustains.
An important examine mention with all the legato Instruments is the fact, unlike on almost any other high-end sample library, they're all looped use the champagne! Sample-library developers often hotly debate whether or not the tremendously involved task of doing all this looping is worthwhile, but there is no doubt that coming from a players viewpoint, looped legato samples are perfect for trying out ideas.
One feature that contributes a great deal of realism to HSE mainly because it does along with other recent sample libraries like Sonic Impants Symphonic Strings could be the use of release samples, which capture the sound you hear as soon as the physical action of playing the note has ceased. And, certainly, the production samples also capture the character in the space accustomed to record the samples. With HSE, I found this exciting than, say, the Vienna Symphonic Librarys Silent Stage, nevertheless it wasnt quite Air Lyndhurst either!
Im sure theres a grounds for this, however when performing using the release samples, I found they didnt sound if I held some notes, pressed the sustain pedal, released the notes after which released the sustain pedal.
A standout programming highlight could be found inside Combi Instruments, which can be purchased in each section, and bundle considered one of each articulation within 1 Instrument. However, instead of just while using the standard way of key-switching for switching relating to the articulations, Wizoo and Steinberg have been a little more cunning. When you load a Combi Instrument, the default articulation is legato, and pressing a keyswitch lets you change the articulation thats played sounds normal thus far. However, the non-legato articulation is used as the keyswitch secret is held down releasing it is going to resume the legato articulation once more. Genius!
In addition towards the Instruments that may be loaded into HSP, HSE also supplies a set of Instruments for loading into Halion, for people users who also own a replica of that program. Part with the reason for creating HSP is Halion doesnt include the advanced crossfade modulation features or give the necessary facilities for automatic bow-alternating, as an example, therefore it goes without saying these particular features are missing when utilizing the Halion Instruments. For this reason, its recommended that you employ HSP for string arranging and Halion for additional brutal sonic manipulation, although apparently the next version of Halion could eventually be capable of fully load and secure the HSP Instruments.
When you are looking at short bows, a spiccato articulation is provided, even though this is somewhat compensated for within the large quantity of variations provided. Firstly, similar to the legato Instruments, you will discover A and B variation sets, now supplemented by along bow sets likewise, together with the A variation creating a lighter sound using a firm attack, and B offering a thicker woody sound, that's particularly fierce within the cellos. The bass spiccato samples are just available in one down-bow flavour, that's suitably aggressive and really should move a fair quantity of air with your subwoofer!
However, HSE goes a measure further featuring its spiccato articulation and will be offering an Instrument featuring automatic top to bottom bow alternations. Admittedly, HSE isnt the primary library to make available this, nevertheless it is the primary library that doesnt require additional programs to get set up and used alongside your sampler, a well known fact that highlights the good thing about self-contained libraries running as virtual instruments. The automatic Instruments give you a number of key-switches to customize the bowing just to up or down bows, or begin alternating again starting on either an up or down bow, that is very, invaluable indeed.
The manual claims that as much as nine velocity layers can be used for each bow direction, although I have to declare that I certainly couldnt discern that a great many individually. However, what you may hear is really a brilliantly varied and realistic spiccato texture that avoids, because the manual puts it, the machine-gunning affect often regarding short-bow string samples.
The pizzicato Instruments can be found in loose and tight variants to the upper strings, tight and incredibly tight that could be painful! for your cellos, and you're unlikely to come out in the basses! Seriously, though, it is not that easy for just a group of bass players to regulate a tight pizzicato sound, which isnt surprising if you concentrate on the length and thickness with the strings you might probably get yourself a tighter pizzicato sound with the ensemble of upright Hoovers! Overall, the pizzicato Instruments were nicely rounded using a musical character that cried out to get played.
Claudius Bruese standing consults with all the conductor at one in the recording sessions to the strings in The Claudius Bruese Orchestra library, some that are heard in Halion String Edition.
The samples utilised in Halion String Edition Volume One are taken from your three-year sampling project started by Wizoo with the beginning of 2002 to sample a whole symphony orchestra, which can be to become The Claudius Bruese Orchestra. The primary purpose of this gradually developing sample library, as demonstrated by Halion String Edition, is to supply high-quality sounds which might be easy to utilize for any musician who requires usage of an orchestral palette.
Claudius Bruese spent some time working on many Wizoo products through the years, but is in all likelihood best known as being the man behind Wizoo/Steinbergs The Grand VST Instrument, one with the finest sampled pianos on the market. In addition to his assist Wizoo, Claudius is trained composer and sound designer who works in Cologne and LA, composing for film and TV, and specialises in producing realistic-sounding orchestral mock-ups for himself along with other high-profile Hollywood composers.
If you already own a software sampler and would like to make use of the sounds from The Claudius Bruese Orchestra without getting the full Halion String Edition Volume One, a few of the programs are accessible for download at in EXS24, Giga and Halion formats. At the time of writing, the legato, pizzicato and tremolo programs can be purchased, with marcato, spiccato, trills and senza vibrato programs just around the corner. However, its worth stressing that these are typically just ordinary multisampled instruments; they certainly not feature all the extra functionality of Halion String Edition Volume One.
As a footnote, when you buy your copy of Halion String Edition Volume One from Wizoo via and youve already purchased a few of the Claudius Bruese strings from, theyll refund that you voucher to shell out there for the identical amount youve already spent for the strings.
The HSP software provided will make HSE the perfect orchestral library to utilize in an integrated MIDI Audio sequencer environment, and, as being the name and interface suggests, is dependant on Steinbergs Halion software sampler. In fact, the HSP interface is actually a stripped-down version of Halion s macro view, that takes away every one of the complication sometimes associated when utilizing higher-end libraries with generic sampling software.
HSP retains Halion s four pairs of stereo outputs, losing the extra four mono outputs that happen to be obviously redundant on this context. Initally I thought it was a waste not to own five pairs of outputs one for every section plus full strings but you are able to of course run as numerous copies of HSP when your host supports to get the variety of individual outputs required. The overhead of running a supplementary instance of HSP, compared to your overhead of just playing the Instruments, could well be negligible.
The user is left with hardly any decisions to make from the operation of HSP, and also the only settings you'll be able to make are the type affecting the high quality and performance. As with Halion, you'll be able to select from a variety of quality and resampling options, where better means more processor intensive. Halion s Preload To RAM slider for governing the balance between disk streaming and RAM-based playback is simplified into five presets from precisely the same settings menu as Quality and Resampling.
Halion s Keyzone page isnt found in HSP, so that you cant see which samples are used on which notes. To get surrounding this, theres a nice touch in HSP s piano-style keyboard; the range in the current Instrument for your selected Channel is highlighted by small horizontal brown lines across the top from the keyboard.
In regards to computer resources, Halion String Player is rather efficient. To give some idea in the performance you may expect, I loaded in the XXL 4-in-1 legato patch on my small Windows-based test system, set Voices to 64, placed my foot within the master keyboards damper pedal, and played an ascending 64-note chromatic scale starting from your C three octaves below middle C. Disk streaming was set on the default Mid setting, and during the exam there were no audible glitches, using the CPU Performance meter in Cubase registering about 60 %.
Given that a majority of musicians are unlikely to begin to play 64-note chords that has a legato program, I think its safe to point out that if you got your computer in the past year or so, it must have no problem handling even one of the most intensive string arrangements. And when you are looking for polyphony, your laptop is likely is usually to give up well before HSP, containing an upper 64-voice limit for each on the 16 Channels, giving a theoretical maximum polyphony of your staggering 1024 voices!
An component of Halion String Player that did become annoying was which the Voices parameter always resets itself to 16 Voices whenever you load an Instrument, regardless with the previous setting. This reason behind this turned out to get that the Voices setting is saved inside the Instrument files themselves, so resaving the Instruments using your required polyphony neatly solves what initially appears to get a problem.
The down and up buttons around the Channel, Output and Voices controls only reply to single clicks of the mouse, and I thought in the beginning that this was about to significantly increase my likelihood of developing RSI setting Voices from 16 to 64 requires 48 clicks! However, I later found a neat and undocumented feature, which, like Halion itself, enables you to improve these parameters by hovering the mouse over the around buttons and taking advantage of your mouses scroll wheel instead when your mouse has one. This method also works for almost any of Halion String Player s other controls, for example the piano keyboard, which is usually scrolled using the wheel if your mouse is hovering inside keyboard display.
The only other minor point is a used voices indicator to show the actual polyphony for that selected channel could be useful for knowing when you may need to adjust the Voices parameter to the given channel, such as Gigastudio and EXS24 MkII theres certainly space correctly.
All things considered, there in fact is very little criticism I can level at Halion String Edition : aside from some minor interface issues plus a question of taste for the room and safe legato choices, this really is, basically, an incredible product that delivers on its promises. The only question remaining is whether or not these promises are sufficient and appropriate for your needs.
Tremolo, tremolo with accents, trills half and whole tone, pizzicato loose and tight, spiccato.
Legato, legato with portamento control.
Legato, tremolo, tremolo with accents, trills half and whole tone, pizzicato loose and tight, spiccato.
Legato, legato with portamento control, tremolo, tremolo with accents, trills half and whole tone, pizzicato tight and extremely tight!, spiccato.
Legato, tremolo, tremolo with accents, pizzicato, spiccato down bow only.
Legato, legato pad, tremolo, pizzicato tight, spiccato down bows only.
First and second violin, viola, cello and double bass legato.
I think Steinberg and Wizoo have already been clever with Halion String Edition Volume One, aiming it squarely at musicians who require the standard of the bigger sample libraries, but without the identical number of articulations. Although both GOS and Sonic Implants Symphonic Strings SISS come in smaller, more cost-effective versions, they represent the scope with the full library using fewer samples, rather than providing full-quality versions with the most common articulations, as Wizoo do.
However, this isnt to criticise either GOS Lite or SISS Mini, simply because clearly look after rather different musical demands. If you need a greater number of articulations eg. con sordino, or higher types of short bows both of such represent value for money for money at 199 and 449 around 300 respectively, putting them in approximately precisely the same price bracket as HSE assuming you already own a software sampler, needless to say.
On the opposite hand, Wizoo acknowledge how the Volume One appendage ensures that therell be considered a Volume Two to protect more articulations, so that you could buy Volume One now and Volume Two later as the needs grow. However, if it turns out to get the case, and Volume Two carries a similar price tag, youre nearing comparisons with the greater 700 libraries that Volume One otherwise neatly side-steps. With this in mind, choosing whether or not to purchase HSE boils down to taste a straightforward question which often librarys sound that suits you and convenience a category that Halion String Edition Volume One wins every time for me.
Putting my dreamers hat on for example paragraph, among HSE s most fun aspects is whats ahead when precisely the same approach is applied along with other sections on the orchestra I cant wait to view what Halion Brass, Woodwind and Percussion Editions offer! But it would be also good if Steinberg took fraxel treatments to its logical conclusion in Cubase and integrated it more tightly while using Score editor to provide Sibelius - style playback features. Imagine intelligent arco/pizz switching and active bowing symbols, one example is what more can you ask for?
Overall, the programming of HSE s Instruments is meticulous and musical, demonstrating the amount of expertise youd expect from Wizoo and Steinberg. I have merely admiration for all those who have the patience to create these instruments and edit the sheer level of data on to something so deceptively simple and easy and playable.
In conclusion, I really liked HSE. If you want high-quality, easy-to-play string sounds inside a VST or DirectX Instrument for just half the expense of the larger libraries, and haven't any desire to the more intricate articulations required to get more detailed orchestration, Halion String Edition is completely what youve been anticipating.
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HALion String Edition 2 is really a breathtakingly realistic replication of the string orchestra, shoehorned into a simple-to-use VST instrument featuring state-of-the-art HALion 3 technology.
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HSO provides instruments for those four major sections of any symphony orchestra: strings, brass, woodwind, and percussion. For the strings you will discover solo, tutti large single-instrument sections, and ensemble multiple sections mixing violins, violas, cellos, and double basses programs provided.
Halion Player is obviously a lean front-end for HSO, and it's also very easy to work with. The Real Ambience sounds very authentic
The brass programs include solo and tutti usually based using a group of three types, whilst the woodwind and percussion programs are often based upon solo instruments. A full list in the instruments and program types is instantly available being a PDF from your Steinberg website, so there is little change point in me reproducing this info here except to point out that for the majority of orchestral work, HSO covers each of the instrumental bases. Do note, however, that instruments including piano and harp - both often related to classical and orchestral music - will not be reproduced here. While I can understand there being no piano Steinberg have The Grand to plug that gap, the harp is maybe a little more surprising.
The string section would be the true heart from the orchestra and it is therefore critical on the success of any sample library. The string samples included within HSO may already be familiar for some people, as they may be taken from Halion String Edition 2 start to see the box elsewhere within this article for details - itself a better version of HSE which Mark Wherry gave an incredibly positive review to back SOS March 2003. The basic structure with the HSE 2 and HSO string sections is quite similar to HSE, so Marks review is worthy of a re-read for a lot of background. However, the samples themselves happen to be reworked and also the collection now includes some fairly comprehensive solo instruments as well because the section and ensemble patches.
As using the original HSE, the programs are separated into four main types; Xfade, Xswitch, Velocity, and Velocity With Pitch-bend, although many of the come in key-switch varieties also. Xfade provides probably the most realistic performance, with crossfades between sample layers of various playing dynamics controlled because of the Crescendo Controller which uses MIDI Expression, although you'll be able to set the MIDI Modulation to master this instead. This makes for very smooth and expressive crescendo or decrescendo performances, but given that each of the sample layers are playing at exactly the same time it is therefore essentially the most resource-hungry in the program types. Slightly less smooth but nevertheless very good, and slightly less demanding, are definitely the Xswitch programs, as you move the Velocity programs control sample layers inside the more usual fashion. In the Velocity With Pitch-bend programs, velocity determines the primary sample layer played, as the pitch wheel is utilized to raise or lower the volumes because note is held. I
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HALion Symphonic Orchestra puts the awesome emotive power and sheer sonic majesty of any full symphonic orchestra using your total control. Evocative scores, exquisite arrangements, emotive accompaniments: HSO would be the ideal, cost-effective symphonic instrument for composition, production and pre-production in music, TV and film scoring and game sound.
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