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V-Ray for 3ds Max may be the core continuing development of Chaos Group, that permits users to efficiently create realistic images while providing them with full treating the 3D production process. V-Ray 3.0 for 3ds Max could be the most complete lighting, shading and rendering toolkit available, making speed and simplicity available to all artists. The latest version delivers powerful feature set, technical advances and support for open source technologies.
Render most scenes nearly 20-50% faster with V-Ray 3.3 for 3ds Max.
V-Ray 3.3 for 3ds Max introduces new variance-based adaptive sampling for quick setup, uniform noise distribution, and quality images Р Р†with less reliance upon settings for lights and materials.
Triplanar Mapping РІРІfor simple, UV-less textures
Stochastic Flakes РІРІfor more realistic materials like snow, sand, and car paints
Many features happen to be updated likewise, including better global illumination and GPU rendering with V-Ray RT.
VR Cameras - Two new VR Camera types to render stereo cube maps and spherical stereo images for VR headsets for example Oculus Rift and Samsung Gear VR. Simplified User Interface - V-Ray 3.0 introduces a simplified User Interface and includes 3 modes: Basic, Advanced, and Expert. Modes is usually toggled whenever you want to reveal additional controls. The default, Basic mode is built to meet the needs of all artistsР Р†daily production work.
New Skin Shader - A dedicated, intuitive Skin shader with layered specular highlights is likely to make it easier than in the past for artists to build complex, layered skin.
Probabilistic Lights Р Р†Increases the rate of scenes using a high quantity of lights. Probabilistic Light Sampling decreases the number of lights evaluated at render time.
Progressive Rendering - The new Progressive Production Renderer is constructed on the same path tracing technology as V-Ray RT in fact it is a simple, intuitive solution for almost any scene. The Progressive Renderer is appropriate for all V-Ray production features, including Irradiance, Light Cache, SSS, Render Elements, etc.
Faster Ray Tracing - V-Ray 3.0 introduces an extremely optimized ray tracing core to speed up calculations for Brute Force GI, Progressive Path Tracing, Reflections, Refractions, and even more. Depending on scene complexity, users are reporting speed increases approximately 5X.
Quick Settings - Quick Settings provide artists with production-ready presets and straightforward rendering quality controls all inside of a single compact interface.
Advanced V-Ray Frame Buffer - Consistent color output is vital to artistsР Р†workflows. V-Ray 3.0 continues to be expanded to utilize variety of color definitions including LUTs, ICC Profiles, and OpenColorIO. By default V-Ray 3.0 is placed for linear workflow, so that it is easier to make sure reliable, accurate colors.
Render Mask - Render Mask uses an item selection, include/exclude list, or texture map to master the exact pixels to get rendered.
Faster Hair - V-Ray 3.0 introduces faster hair rendering speeds nearly 15x and view-dependent tessellation that automatically smoothes hair curves.
Ray Traced SSS - Improved Subsurface Scattering exists, including choices for object-based and ray traced illumination.
Max Ray Intensity - Max Ray Intensity clamps secondary rays to clear out noise generated by very bright sources. This removes artifacts while retaining dynamic range.
VRmats - VRmats formerly Vismats are universal V-Ray Shaders for usage across multiple applications. For example a VRmat material could be created in V-Ray for 3ds Max and transferred right to V-Ray for Maya.
Be bound to check out for just a full set of V-Ray 3.0 for 3ds Max features and improvements, videos and tutorials.
To provide optimum security, reliability, and portability Chaos Group uses a hardware step to license its software. This hardware security key safely protects the V-Ray License from computer malfunctions, routine hardware maintenance, and equipment changes; plus it provides users the opportunity to use V-Ray on multiple machines.
It is vital to note which the hardware key's not a node-locked device. The V-Ray License Server is usually a floating license system, allowing multiple users to have a look at a license around the maximum concurrent volume of licenses available.
The official suggested person price of the single new V-Ray 3.0 Workstation for 3ds Max is 750 EUR/1040 USD/650 GBP
The official suggested customer price for Upgrade from V-Ray 2.0 to V-Ray 3.0 Workstation for 3ds Max is 300 EUR/420 USD/260 GBP
A computer with 64-bit AutodeskР В РІР‚в„ў 3ds MaxР В РІР‚в„ў or 3ds Max Design Р В РІР‚в„ў versions 2011 or later;
Microsoft Windows 8 Pro Р В Р Р‹64, Microsoft Windows 7 Professional x64, Microsoft Windows Vista Business x64 SP2 or more, Microsoft Windows XP Professional x64 SP3 or better;
IntelР В РІР‚в„ў PentiumР В РІР‚в„ў 4 64bit or equivalent AMDР В РІР‚в„ў 64 processor with SSE2 technology or newer;
4 GB RAM 8 GB or older recommended.
V-RAY 3.0 FOR 3DS MAX WORKSTATION
Upgrade Pricing V-Ray 2.0 to V-Ray 3.0 for 3ds Max Workstation
5 Universal V-Ray 3.0 Render Nodes
10 Universal V-Ray 3.0 Render Nodes
Upgrade Pricing V-Ray 1.5 to V-Ray 3.0 for 3ds Max Workstation
UNIVERSAL V-RAY 3.0 RENDER NODES
Universal V-Ray 3.0 Render Nodes are designed for distributed and network rendering for one more:
Upgrade Pricing V-Ray 2.0 Render Nodes to Universal V-Ray 3.0 Render Nodes
Upgrade Pricing 1.5 Render Nodes to Universal V-Ray 3.0 Render Nodes
A V-Ray 2.5 build can be obtained to provide compatibility with V-Ray 3.0 licenses.
A Maximum of 10 Rendering Nodes meet the criteria for upgrade per V-Ray for 3ds Max Workstation upgrade.
Taxes/VAT, dongle and shipping not included.
Universal V-Ray 3.0 Render Nodes allow distributed and network rendering for one more:
Discounts are for sale to more than 10 render nodes. For more information, please get hold of your local reseller or email
Upgrade Pricing 2.0 Render Nodes to Universal V-Ray 3.0 Render Nodes
A Maximum of 10 V-Ray 2.0 Render Nodes meet the requirements for upgrade per V-Ray Workstation upgrade.
A Maximum of 10 V-Ray 1.5 Render Nodes meet the criteria for upgrade per V-Ray Workstation upgrade.
A V-Ray 2.5 build can be obtained to provide compatibility with Universal V-Ray 3.0 Render Node licenses.
Pricing V-Ray 3.0 for 3ds Max Workstation
Pricing Universal V-Ray 3.0 Render Nodes
With V-Ray 3.0 finito, no more distinction between render licenses for local, network, or distributed rendering. All of these rendering choices are covered because of the new Render Node license, which makes it possible to seamlessly make use of license across multiple 3D platforms.
By purchasing 1 copy of V-Ray 3.0 Workstation for 3ds Max, users get a chance to use V-Ray s Graphical User Interface GUI for editing their settings during one machine as well as render using one machine to be a Render Node.
The rendering is usually performed either for a passing fancy machine the place that the GUI license is needed, or on another machine within the network.
In order to work with additional computers for rendering though, you'll now have to obtain additional V-Ray 3.0 Render nodes.
For each V-Ray 1.5 and/or V-Ray 2.0 license it is possible to upgrade one V-Ray 3.0 Workstation license and nearly 10 Render node licenses. Please reference bundle options listed here for just a breakdown on moving to a few.0. Please get hold of your local reseller or our sales reps at for more information.
3. Is V-Ray 3.0 backwards that will work with older versions of V-Ray
Backward compatibility is provided via V-Ray 2.5 builds that could be used with V-Ray 3.0 licenses, so customers can select between the 2.0 and 3.0 version of V-Ray.
4. Are these render nodes only likely to work for 3ds Max or do they work with all V-Ray host applications?
With V-Ray 3.0, your render nodes are going to be universal across multiple platforms, you start with 3ds Max, Maya and Softimage. In the future, we're going to support Rhino3D and SketchUp; we're also also considering other platforms so hunt for updates on that inside the future.
Also with to be able to re-make use of licenses, expanding your rendering capabilities is straightforward. These licenses are floating when you need to make use of another workstation, you may at will.
5. We are small businesses, how this new policy affect us?
We are working to supply small businesses that has a number of ways to become successful; and that's why we brought around the base price on workstation licenses and added a different rental policy that will assist you scale at will.
However, whether you're a small studio or very big production company, the best choice depends on your unique needs. Our new policy was made to offer you plenty of choices for upgrading your workstation and/or render node licenses, so you are able to take into consideration timing, scaling and new hires.
To facilitate an easy process, and we don't limit the way you are able to upgrade. You can upgrade individual licenses or through bundles anytime, and discounts are offered as you buy more licenses.
If you wish help creating a plan, we recommend contacting your reseller or our salesforce as they can enable you to optimize an answer specially developed for your budget.
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VFX Supervisor, Blur Studios
Our game cinematics tend to be packed with epic action scenes, huge environments, multiple characters with hair and SSS, fire, explosions, debris, with 3D motion blur and render passes. That s a great work with, but V-Ray allows to have the job done, 3.0 is something to get excited about.
Digital Matte Supervisor, ILM
When we started The Lone Ranger, we changed a few of the toolsets within the hood: we went strictly to 3ds Max, using V-Ray as our renderer. That was a final piece with the puzzle. We were getting not simply great render results, but great render throughput: it could possibly handle everything we had arrived throwing at it
Creative Director/Partner, Tendril
At Tendril, we are already using V-Ray in daily production provided we can remember. As a largely design-driven studio, the artists here find V-Ray being just as critical tool throughout the idea development phase because they do during full production. Often when were pitching on jobs, we create concept art and design frames, along with cases the location where the end result are going to be photorealistic, V-Ray is usually a better tool for designing the looks and feel than concept art made up of more traditional techniques. Its a device that we cant live without at this stage.
Supervisor/Creative Director, Studio Sokerov Ltd.
I ve been using V-Ray mainly because it was in beta development phase. Its multiple features provide programs for high-quality rendering of animations and products. Its effectiveness is caused by the speed from the engine plus the intuitive interface.
The render elements are incredibly valuable with the project preparation of postproductions. The physically accurate Translucency shader and SSS2 shader are remarkably beautiful and impressive features. Ive spent much time studying them experiencing and enjoying the result.
VRayFur adds further realism to Arch Viz scenes by offering total treating the look and feel of carpets, rugs and exterior grass. The simple-to-use parameters enable us to interactively style a final result to specification turning it into a valuable asset to a previously all-round excellent 3D rendering package.
Senior Environment Modeler, Blizzard Entertainment
I started using V-Ray one or two years ago at Blur Studio and also since then I had the most effective experience with any render Ive used up to now. Even before I activate on a project, I know V-Ray is going to be able to provide the highest image quality possible, and from the whole process it will likely be rock solid. But the most beneficial thing above all will be the customer support. It is just amazing how rapid the team from Chaos Group can deliver small patches and improvements when requested. Some new features are simply stunning, like shademap which taught me to be render many of my images with strong DOF almost double faster than before.
Since starting inside CG world fifteen years back now I always dreamt concerning the day I could easily reproduce accurate, advanced materials and global illumination in a very flexible, fast production environment, to ensure I could consentrate on what matters just as one artist. My dream came true when I discovered V-Ray!
CEO, Mackevision, Germany
V-Ray is a good visualization solution, that helps our team realize complicated projects in tight deadlines. It can be an integral portion of our core development FBOX picture shooter and it also perfectly combines interactivity with speed.
VFX/CG supervisor, Akama Studio
In a niche where clients demand a lot more beautiful images ever faster, V-Ray is definitely an indispensable partner. We must remember that V-Ray can be another large community of users who bring their experience, resources and assistance. This is really a significant advantage, Chaos Group understands and draws inside the community to further improve its software. Each latest version of V-Ray brings many innovation that is really a response to user requests. This keeps the V-Ray technology the most effective.
Managing Director, Taylor James
V-Ray works the best for Taylor James and now we ve worn the extender for many years, without other software coming close. It not simply gives us great flexibility when managing the rendering, but we can easily also make use of its speed and quality.
CG Supervisor, The Chimney Pot
Considering the pace of V-Ray development, I am sure until this product is confidently winning this market. Many people utilize it as the de facto standard in architectural visualization, in fact it is sweeping the multimedia and video entertainment markets.
CG Supervisor, Blur Studio, USA
V-Ray is often a supremely brilliant rendering engine with mind bending methods to visualizing 3 dimensional form that encourages philosophic ontological discussions regarding the nature and observation of reality itself.
VFX Supervisor, Svengali FX, USA
V-Ray is undoubtedly an amazing product and in many cases better, its backed by the VERY solid population group for support. This is in the development at the same time as sales. Everyone I have handled at Chaos is often a driven individual that is focused on the top technology for that job and creating that technology whether it is not available. Their render engine keeps on blazing trails and it is second to none. Cheers to V-Ray and Chaos Group.
Principal/Creative Director, Neoscape, Inc.
V-Ray has single-handedly changed the facial skin of Architectural Visualization. Neoscape continues to be using it in production since its 1st release, and now we continue to make use of it in all of the of our work. It is packed with relevant and robust features, while remaining speedy and easy to make use of. I can not imagine working without.
Greg Tsadilas, VFX Supervisor at Red Magnet IР Р†ve been using V-Ray since 2001 doing work in Film, TV, Commercials, and also, since that time itР Р†s really the only render engine I have ever needed or wanted make use of. V-RayР Р†s simplicity and speed, in conjunction with its innovative procedure for high end features like Global Illumination, Physically accurate Image based lighting and shaders, makes it the top render solution around on any platform.
Digital Animation Director, Hatch Studios
In a production-driven environment where time ultimately dictates the grade of my work, I need a renderer I can depend on for speed and gratification. VRay not simply offers very fast 3D rendering, and also unparalleled output from the highest caliber put together with powerful features that could satisfy the industry s most demanding artists. VRay s solid performance and cost-effective cost has made it the renderer of choice for many studios world-wide, including all of our Hatch Studios Ltd.
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Amir can be a vehicle artist as well as a CG community leader currently working as being a freelance artist. His main interest would be the automotive world, so they are involved with something that has a car inside! Back to the times when he would have been a kid, this interest, also as the evolution of CG as well as the emersion of 3D packages kind of computers played a vital role in their life and formed his professional interests and career.
We meet with Unit Image regarding Holiday-themed problem for Coca Cola that put everyone in the studio in Christmas spirit.
Tianyi Zhu arises from China and from now on lives in The Netherlands. She started drawing when she was very young and discovered passion and natural talent for doing this. Continuing from the creative field through college, she majored in interior planning and this resulted in learning 3D art.
My name is Toni Bratincevic and I am currently working for any major game company being an environment modeling artist. Originally I am from a little town called Kastel Sucurac in Croatia, but 6 years back I gone to live in the US. 3D art is my professional career and hobby on the same time. My fascination with 3D started almost 15 years back. It used to get my hobby for just a long time and after I finished college it became my professional occupation. I started being a 3D generalist, working in the Croatian company, and then I committed to doing environments which can be what I am still doing today.
MintViz was founded last year and has since evolved and adapted to user influence. We started off by only offering tutorials, tips and practical information on CGI, covering various topics including production workflow for 3ds Max and V-Ray at the same time as reviews and tips on other relevant hardware and software. In addition for the support already available, each year later we launched our creative services. The Studio runs alongside what's now the Workshop, while using two working together to supply a wide range of services allowing us to build, share and educate.
2G Studio is really a professional 3D visualization studio founded this year in Surabaya, Indonesia by Reinaldo Handaya and Evan Mandala. The studio started with all the idea that this collective knowledge skills, and fashions of its founders will complement each other to generate archviz of outstanding quality and photo realism.
Assembly is usually a relatively new company that carries a wealth of experience from the VFX, Motion Design, Digital and Live Action arenas. We have attemptedto avoid placing a Р В РІР‚ВВserviceР†description around the company when we like to keep our options open within the hope that people get a look in over a whole array of creative endeavors. We love to shoot, animate, code, build, design, illustrate, fabricate - all in the service of the good creative brief.
Marek Denko is often a 3D artist from a smaller town inside Slovak Republic. His love for computer graphics began in 1991 along with his Atari 800XL, along with 1995 he discovered 3D Studio R4. After graduating in the Faculty of Civil Engineering with the Brno University of Technology, he and colleague Peter Sanitra cofounded the studio NOEMOTION in Prague.
Throughout our entire RD in the past, the package that V-Ray offers may be the one that definitely makes the most sense to us. V-Ray provides the tools which our artists ought to do their job quickly without needing to spend time developing them in-house.
NITH is often a private IT University situated in Oslo. The school offers bachelor courses in i . t and master classes in information systems. Students may choose involving the following majors: programming, game programming, game design, e-business, online marketing, 3d graphics, mobile app development and interactive design.
Locus Corporation was founded in 2009 and possesses become a world-class Creative CGI Studio merging professional managers and artists from Korea and abroad.
When have you first start using V-Ray? Can you list the projects you might have completed with V-Ray throughout the years?
We started using V-Ray in early 2003-2004. The first big release to make use of it was the main E3 trailer for Motorstorm in 2005 and weve tried it ever since. In game trailers alone, we tried on the extender for: Motorstorm 1 and a couple of, APB, Juiced2, all individuals SCEE: Buzz work, Stormbirds, Split/Second, Squeeballs, Super Car Challenge, Napoleon: Total War, Dirt3, Kinect Sports Season 2, Dirt: Showdown, and were currently implementing two exciting trailers with this years E3.
Chaos Group recently had the capacity to catch track of Andronikos Bisogiannis at IXOR to debate a few in the studioР В РІР‚ВВs most current projects and speak about whatР В РІР‚ВВs available for 2012.
Established in 2005, IXOR is usually a CG production studio operating out of Athens, Greece with offices in London, New York, and Los Angeles. Andronikos recalls, Р В РІР‚ВВIn their early days of IXOR another thing was clear Р†everyone for the studio shared a love for computer graphics. We started out creating architectural images and TV commercials, as well as over the last few years, IXOR has evolved into a complete CGI production company offering premium quality visual effects, CG creatures, and CG animals.Р В РІР‚ВВ
Can you tell us slightly background on ArtefactoryLab?
ArtefactoryLab, previously named Artefactory, is often a studio situated in Paris, devoted to architectural imagery. For over several years, weР В РІР‚ВВve been creating images and animations for international architectural studios for instance Ateliers Jean Nouvel, Herzog et De Meuron, The Renzo Piano Building Workshop, OMA, and Frank Gehry.
How achieved it all start and what did make Akama the successful company it really is today?
Based in Paris, Akama Studio came to be in 2004 through the encounter between two directors, Cцdric Jeanne and Alexandre Ada, who chosen to found a studio to improve control the creation of their film. Beginning mainly with 3D animation, the studio has diversified through the years and today were well recognized from the field of 3D animation, 2D and visual effects. We work together with major advertising agencies including Publicis, BETC and DDB, and then for large clients like Nestle, Lacoste, Mercedes, Volkswagen, Ubi Soft and others.
Tell us of a typical recent changes in your production workflow and exactly how V-Ray has contributed on your success in 3D visualization?
WeР В РІР‚ВВve been using RT in production to aid us light and shade our scenes sooner, itР В РІР‚ВВs very helpful for previs, obtaining the lighting to the precise angle, having the reflections wherever we need them, having the ability to sit down with clients plus in real-time they're able to see the tweaks they want us to create. Combining V-Ray RT with utilizing the VRayPhysicalCamera we are able to use it to reveal our images correctly to find the best lighting and have the most from my HDR lighting.
The Chimney Pot produces be employed by a number of multimedia, including commercial videos, music videos, and films. It boasts whoР В РІР‚ВВs who listing of musicians: Madonna, Robbie Williams, Rammstein, Britney Spears, Lady Gaga, Ozzy Osbourne, Roxette, Christina Aguilera, Cardigans, Moby, Lenny Kravitz, or anything else. The company got MTV Music Award for Best Special Effects for Lady GagaР В РІР‚ВВs Р В РІР‚ВВPaparazziР†last year.
Recently, they assisted David Fincher in preparing visual effects materials with the new Girl with all the Dragon Tattoo movie filmed in Sweden. They are also participating inside filming on the Tinker Tailor Soldier Spy, where they intensively use V-Ray to make CG interiors.
You will always be connected towards the art of visualization in a single way as well as other. Would you reveal more about yourself?
I was created in 1979 in Alicante, Spain. After being familiarized with traditional painting with a few schools, I discovered the planet called CG. After school, I transferred to Madrid and began working for any visual effects company. That stint didnР В РІР‚ВВt last to much time due on the lack of interest on visual effects inside Spanish market on the time. It was then that I switched to your architectural visualization VIZ business. I worked for a few companies before you take a sabbatical for any year to function on an Р В РІР‚ВВalready built workР†visualization series, which includes now been stitched together in to a short animated CG piece called Р В РІР‚ВВThe Third The Seventh.Р В РІР‚ВВ
Tell us a little more about BLUR studio as well as the latest company projects. Could you also look to yourself and your role inside the company in the few sentences?
BLUR Studio continues to be creating award-winning visual effects, animation and design, applying its creative skills across various mediums. We produce 3D character animation, motion design and visual effects for movies and television, game cinematics trailers, large format films, location-based entertainment, commercials and integrated media. Located in Venice, California, we combine the passion and excitement from the directors, animators, designers, concept artists, and writers with his clients in to a collaborative creative approach that brings about compelling visuals and storytelling.
Thats a well polished introduction to what Id call a genuinely unique and kick ass work place filled with inspiring artists who bring a great deal of skill and heart to each project that goes from the studio. The air is thick with creative energy and its particular been a great time contributing and feeding from the buzz.
You studied media design in Hannover, Germany and after this you work with a studio in Can you show how you got hired overseas?
In 2001 I graduated in the high school and visited a college to analyze media design. One day a class mate brought Cinema 4D and Maya to class installed in the notebook. From that moment on I didnt participated inside the lessons much:. After the university in fall 2004 I searched for CG companies in Hannover determined SoulPix, a compact and unconventional studio which utilizes 3D Studio Max right now they switched to Cinema 4D.
Exclusive interview for 3DVF while using French 3D artist Aymeric Aute from Prime Focus VFX. He shares his experience during his creative help the James Camerons epic video Avatar. He takes us with an impressive trip across his professional history, explaining his migration on the 3D as well as the opportunity for being part in the starting team on Avatar.
This interview is provided from the courtesy of 3DVF.
What attracted one to CG and why? Does it happen accidentally or it would be a matter of conscious choice?
This started about 10 years back. At that point I was interested mainly in Photoshop plus printing photos, sometimes I was making something from the field of vector graphics. This continued until once I saw an odd program around the display associated with an acquaintance of mine. There were no colours, no palette of colours or layers inside it. Only lines crossing, mysterious windows with sliders and Everything looked very exotic. I was looking in the third version of 3d studio Max. Of course, I did not start immediately working together with this kind of graphics. This passion has become becoming imminent for me for a few years, spent in efforts to resolve this
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V-Ray would be the rendering engine of option for architectural visualization artists. Based over a recent CGarchitect Architectural Visualization Industry survey, V-Ray is needed by over 70% in the industry. If you re not using V-Ray, you ought to be!
V-Ray may be the solution of option for many 3D production houses automobile capability to deliver good quality photorealistic images inside the shortest time.
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A powerful VRay batch rendering tool for 3dsmax. Supports batch multi-file rendering. Supports batch multi-camera rendering. Supports batch multi-camera multi-file rendering.
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V-Ray for Maya is one on the latest developments by Chaos Group.
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VRay is among the most top selection for fast and accurate photo-realistic rendering. Offering state-of-the-art rendering technology, VRay has single handedly transformed the CG industry.
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