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The Track16 mixer takes signals by reviewing the 16 inputs eight stereo and mixes these to an output pair, such as main outs. You control the amount of each input. Better yet, you'll be able to adjust input volumes differently for every single output pair. In other words, each output pair will surely have its own unique mix. For example, you may create a balanced mix going on your PA using the main outs, but retrieve the guitar to the mix going in your stage monitors with the line outs, so you may easily monitor practicing the guitar sound. You get a separate mix for main outs, line outs, optical digital outs, and phones.
CueMix provides comprehensive graphic treating your mix and also other settings in Track16. CueMix may be operated alongside each other with any host audio software for Mac or Windows, and it could be controlled through the Mackie Control Universal Pro automated worksurface.
Its the supreme hands-on experience: use TouchOSC software sold separately having a custom-designed template on your Track16 and have hands-on control over all mixing, EQ and compressor settings. Refining your mix hasn't been this fluid and intuitive.
CueMix FX Classic Reverb provides five different room types, three frequency bands with adjustable crossover points, shelf filtering, and reverb lengths around 60 seconds. Each input, output and mix bus supplies a send towards the Classic Reverb processor, which then feeds reverb returns to combine buses and outputs, that has a selectable split point between the crooks to prevent send/return feedback loops.
Smooth and musical, British analog mixing consoles are renowned with regards to musical EQ profiles. The Track16 meticulously models these classic EQ curves to provide the very same, magical EQ settings seen on these coveted desks. Seven separate filters can be obtained on every input and output, including low-shelf and high-shelf, with intuitive graphic control of the EQ parameter.
Track16 comes with a classic compressor on each input and output, so you may apply compression liberally together with the flexibility to make the decision if and when you wish to commit for a mix. You can change Track16s compression settings without notice while recording or listening.
CueMix provides Talkback and Listenback features. Talkback allows an engineer within the control room to temporarily dim all audio and consult musicians inside live room. Conversely, Listenback allows musicians to talk to your control room. For Talkback, you are able to set up a passionate mic inside your control room and connect it to some mic input on the interface. For Listenback, you may use one of many recording mics within the live room or you are able to set up a passionate listenback mic for that musicians and connect it into a spare mic input.
When mixing live inputs with computer tracks, sometimes you need to capture the effect. The Track16 driver provides dedicated return channels, turning it into a snap: just record Track16s return bus back in your host software. Done! Say goodbye to jerry-rigged patching of cables from inputs to outputs
Two channels might be grouped with a single fader for true stereo operation. Two stereo panning modes can be found: balance and width. Balance mode works comparable to a normal stereo balance control, one channel fades in as well as the other fades out. Width mode collapses the stereo image to mono by adjusting the relative pans of every channel gradually to center.
Signal activity coming from all inputs, busses and outputs may be monitored with the meters pane. In addition towards the meters present on individual channels, a high-resolution meter and output bus activity linked to that channel is usually displayed inside the primary status window.
Copyright 2008- 2015 MOTU, Inc. All rights reserved.
The Track16 mixer takes signals by reviewing the 16 inputs eight stereo and mixes the crooks to an output pair, for example the main outs. You control the degree of each input. Better yet, you'll be able to adjust input volumes differently for every output pair. In other words, each output pair might have its own unique mix. For example, you may create a balanced mix going for a PA with the main outs, but mention the guitar to the mix going for a stage monitors through line outs, so you'll be able to easily monitor practicing the guitar sound. You get a separate mix for main outs, line outs, optical digital outs, and phones.
CueMix provides you with comprehensive graphic treating your mix and also other settings in Track16. CueMix is usually operated alongside with any host audio software for Mac or Windows, and it could be controlled on the Mackie Control Universal Pro automated worksurface.
Its the final hands-on experience: use TouchOSC software sold separately that has a custom-designed template to your Track16 and have hands-on power over all mixing, EQ and compressor settings. Refining your mix never been this fluid and intuitive.
CueMix FX Classic Reverb provides five different room types, three frequency bands with adjustable crossover points, shelf filtering, and reverb lengths approximately 60 seconds. Each input, output and mix bus gives a send towards the Classic Reverb processor, which then feeds reverb returns to combine buses and outputs, which has a selectable split point between these phones prevent send/return feedback loops.
Smooth and musical, British analog mixing consoles are renowned for musical EQ profiles. The Track16 meticulously models these classic EQ curves to offer you the very same, magical EQ settings available on these coveted desks. Seven separate filters can be purchased on every input and output, including low-shelf and high-shelf, with intuitive graphic control of every EQ parameter.
Track16 comes with a classic compressor on each input and output, so it is possible to apply compression liberally together with the flexibility to choose if and when you need to commit for your mix. You can change Track16s compression settings any time while recording or listening.
CueMix provides Talkback and Listenback features. Talkback allows an engineer from the control room to temporarily dim all audio and speak with musicians from the live room. Conversely, Listenback allows musicians to talk to your control room. For Talkback, you'll be able to set up a passionate mic inside your control room and connect it to some mic input with your interface. For Listenback, you'll be able to use on the list of recording mics inside live room or you are able to set up a passionate listenback mic with the musicians and connect it to your spare mic input.
When mixing live inputs with computer tracks, sometimes you would like to capture the effect. The Track16 driver provides dedicated return channels, turning it into a snap: just record Track16s return bus back to your host software. Done! Say goodbye to jerry-rigged patching of cables from inputs to outputs
Two channels is usually grouped to some single fader for true stereo operation. Two stereo panning modes can be obtained: balance and width. Balance mode works similar to a normal stereo balance control, one channel fades in plus the other fades out. Width mode collapses the stereo image to mono by adjusting the relative pans of every channel gradually to center.
Signal activity of most inputs, busses and outputs could be monitored with the meters pane. In addition for the meters present on individual channels, a high-resolution meter and output bus activity connected with that channel might be displayed from the primary status window.
QSC TouchMix compact digital mixers focus on musicians, production professionals and live show venues that require the power and ability of a large concert mixing console in a very compact, affordable and to use form. TouchMix-8 and TouchMix-16 mixers develop the functionality to fulfill demanding professionals combined using a range of functions that help the less experienced user achieve quality results.
The QSC TouchMix Series represents a breakthrough in innovation and digital mixer design - the actual result of a remarkable collaboration between QSC and industry icons Greg Mackie and Peter Watts M W Pro Audio Ltd. TouchMix not simply resets the bar for performance and value, and also redefines an individual experience for both professionals and novices alike.
Approximately the type and weight of any small notebook computer.
Operation via internal color touch-screen and rotary dial, mobile device or both simultaneously.
USB Wi-Fi adapter included. No additional network hardware needed for remote control.
Includes padded travel case for protection and simple transport.
Simple Mode makes getting an improvement easy and fast; similar to your Auto function using a DSLR camera.
Advanced Mode gives Pro users total control of all mixer parameters.
Wizards and preset libraries manufactured for live sound reinforcement assist anyone with channel setup, effects selection plus more.
Built-in color touchscreen put together with hardware controls for fast and intuitive operation.
4-band full parametric EQ and variable high-pass filter on all input channels.
Gate and compressor on all input channels.
Four premium stereo DSPs having a full collection of professional digital effects.
1/3 octave graphic EQ, notch filters, limiters and delay on main and aux. outputs, DCAs and mute groups High Quality microphone preamps Channel selectable phantom power.
Multiple monitor mixes including automotive abilities in-ears directly.
Multi-track direct to disk recording/playback via external USB hard disk not included. No computer required.
TouchMix delivers all of the processing power and features which a professional live sound engineer could want.
You previously submitted this method. Please visit our Subscription Management Page to get more preferences.
All specifications are governed by change anytime.
QSC TouchMix compact digital mixers are prepared for musicians, production professionals and live concert venues that requirement the power and ease of a large concert mixing console in a very compact, affordable as well as simple to use form. TouchMix-8 and TouchMix-16 mixers contain the functionality to meet demanding professionals combined that has a range of functions that help the less experienced user achieve quality results.
The QSC TouchMix Series represents a breakthrough in innovation and digital mixer design - the end result of a remarkable collaboration between QSC and industry icons Greg Mackie and Peter Watts M W Pro Audio Ltd. TouchMix not just resets the bar for performance and value, but redefines an individual experience for both professionals and novices alike.
Approximately the scale and weight of the small notebook.
Operation via internal color touch - screen and rotary dial, mobile device or both simultaneously.
USB Wi-Fi adapter included. No additional network hardware needed for remote control.
Includes padded carry bag for protection and simple transport.
Simple Mode makes getting great outcomes easy and fast; similar on the Auto function on the DSLR camera.
Advanced Mode gives Pro users total control of all mixer parameters.
Wizards and preset libraries specifically designed for live sound reinforcement assist anyone with channel setup, effects selection plus much more.
Built-in color touchscreen along with hardware controls for fast and intuitive operation.
4-band full parametric EQ and variable high-pass filter on all input channels.
Gate and compressor on all input channels.
Four premium stereo DSPs that has a full number of professional digital effects.
1/3 octave graphic EQ, notch filters, limiters and delay on main and aux. outputs, DCAs and mute groups High Quality microphone preamps Channel selectable phantom power.
Multiple monitor mixes including driving privileges in-ears directly.
Multi-track direct to disk recording/playback via external USB hard disk drive not included. No computer required.
TouchMix delivers the many processing power and features which a professional live sound engineer could want.
You previously submitted this kind. Please visit our Subscription Management Page to keep track of preferences.
All specifications are at the mercy of change without warning.
2015 CBS Interactive Inc.
Purchase; iTunes account required.; 3.99 to buy
Editors Note: The download button opens the iTunes App Store, in which you may continue the download process. You must have iTunes installed through an active iTunes account as a way to download and install the software program. This download might not be available in some countries.
From RME GmbH: TotalMix FX for iPad is RMEs Windows/Mac software TotalMix FX ported to iOS. It gives treatments for the mixer and effects unit TotalMix FX with the audio interface, in the event the supported device was in Class Compliant mode. ATTENTION: This app works only while using RME audio interfaces Fireface UFX, UCX, 802, Babyface and Babyface Pro! Without they the app is useless! This app works ONLY when these products are in Class Compliant mode! This app does NOT work wirelessly, which is NO alternative to typical remote software like LemurTouchOSC! TotalMix FX for iPad runs using any iPad and all sorts of iOS versions from 5.0 up, using only few resources. As under Windows and Mac OS X it won't process audio, but acts as remote control with the calculations performed within the hardware. The app is fully compatible regardless if storing/loading Workspaces. Except for MIDI/OSC handy remote control all features on the desktop version would be the Fireface UCX and Fireface 802 with all the iPad, TotalMix FX for iPad unlocks the devices whole functionality, with full overview and lightning fast configuration. For the Fireface UFX the entire functionality emerged as well. Even DURec Direct USB Recording is fully usable and controllable on the functionality from the Babyface and Babyface Pro is slightly limited because of technical reasons. The effects Reverb and Echo are certainly not available. All other features can be found and useable with iPad for iPad benefits in the background audio function in iOS. During ongoing recording and playback switch the signal from TotalMix anytime, perform the required settings or changes, then return for the audio app where record/playback was not app includes a comprehensive and up-to-date help. Continuing home elevators TotalMix FX plus the Class Compliant operation in the devices is found inside the current manuals. These are offered for download at, section 1.1 or higher require updated firmware versions for brand new functions and optimized performance: UFX CC 26, UCX CC10, Babyface 219 or up. These or newer ones are offered on the RME website.
Version 1.20 adds support for your Babyface Pro and lots of new features with the desktop version 1.11:- Swipe Control Strip on the right border- Mirror function for outputs- Copy FX function for outputs- Channel names is usually edited even inside the Control Room section- All faders of any fader group that include the Main output now keep to the Do not load volume/balance option- Diagnose and set the present playback channel count- Small bug fixes and gratification improvements
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Version 1.20 adds support to the Babyface Pro and a lot of new features in the desktop version 1.11:- Swipe Control Strip for the right border- Mirror function for outputs- Copy FX function for outputs- Channel names is usually edited even from the Control Room section- All faders of the fader group that include the Main output now adhere to the Do not load volume/balance option- Diagnose and set the actual playback channel count- Small bug fixes and satisfaction improvements
Compatible with iPad. iTunes account required.
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